
They are quite different between them, so Pandora 4 (the newest) of course isn't the best amongst them, but maybe the best in it's genre. I don't have any videos comparing them but if you are interested I do have a Walktrough video where I went trough nearly all the sounds and stories of Symphobia 3 (Lumina) which I did during a live stream. Including a very cool feature called "Sound Design" so you have skreamers, stutter and limiter and. are all synched and you choose what synched means to you: seconds, bars, downbeat. Explore the dark side of SAM with processed hits, spheres, scapes and risers, based on the recordings of SYMPHOBIA 2 and some of our other libraries.
#Project sam symphobia 1crack download#
All-new orchestral effects, massive amounts of fresh and inspiring symphonic effects, exclusive legato ensembles. Project Sam Symphobia 1 is available as a download from the Project Sam website, at the time of publication (June 1st to June 6th 2018), Project Sam are celebrating their 10th Anniversary and have partnered with Native Instruments to offer a 50 discount on 5 of their products from the normal retail price (see links below). Symphobia 4 (Pandora) is aimed at fast paced action or horror movies, still orchestral material but, and that's the game changer for me, nearly everything is time synced, so the risers and downers and swells and staccati. Symphobia 2 is the acclaimed sequel to the original Symphobia. Symphobia 3 (Lumina) is aimed at fantasy and mystery (with comic elements in it), so no strings and brass and woodwinds in all possibile variations but textures and stories (their own invention instead of using multis) to get you in the right mood of that genre right out of the box.



Symphobia 1 + 2 are "classical" orchestral libraries with the legendary Project Sam Sound (and lots of orchestral effects which come in quite handy from time to time). Click to expand.They are quite different between them, so Pandora 4 (the newest) of course isn't the best amongst them, but maybe the best in it's genre.
